Based on the Bud Powell approach to the song, of course Barry has his own unique interpretation. Between the two schools there is a wealth of ideas to get us out of the conventional approaches you find in most jazz jam settings today. Hope this is illuminating! I personally love Barry’s way, it’s my favorite.
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Here are videos to assist with the concepts discussed in this video:
Barry Harris 6th chord rules
The “Diminished Genaeology”
My 10 Chord Routine - 3 note edition
Barry Harris whole tone ideas
The BH “Echappe”: An extremely useful Barry Harris 2-5-1 move
Practicing 2-5-1- Barry Harris Style
Barry Harris sixth-chord rules:
5-4-3-2 melodic patterns
Pivoting
My 10 chord routine:
Barry’s Move on “Like Someone in Love”
More ideas on Half Step embellishment
Applying Barry Harris “diminished family“
Barry’s “diminished genealogy”
“Drop” Voicings
The “Major chromatic”
The “Ruby my dear“ move
Modulation with diminished
“Short and long“ voicings
“Up a fifth, down a fifth“:
Thoughts on the Seven flat five diminished
Scale outline on “Cherokee”
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