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Applying Barry Harris ideas to “There Will Never Be Another You”

Applying Barry Harris ideas to “There Will Never Be Another You” Applying Barry Harris ideas to “There Will Never Be Another You”

Based on the Bud Powell approach to the song, of course Barry has his own unique interpretation. Between the two schools there is a wealth of ideas to get us out of the conventional approaches you find in most jazz jam settings today. Hope this is illuminating! I personally love Barry’s way, it’s my favorite.

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Here are videos to assist with the concepts discussed in this video:

Barry Harris 6th chord rules



The “Diminished Genaeology”



My 10 Chord Routine - 3 note edition



Barry Harris whole tone ideas



The BH “Echappe”: An extremely useful Barry Harris 2-5-1 move



Practicing 2-5-1- Barry Harris Style



Barry Harris sixth-chord rules:



5-4-3-2 melodic patterns



Pivoting



My 10 chord routine:



Barry’s Move on “Like Someone in Love”



More ideas on Half Step embellishment



Applying Barry Harris “diminished family“



Barry’s “diminished genealogy”



“Drop” Voicings



The “Major chromatic”



The “Ruby my dear“ move



Modulation with diminished



“Short and long“ voicings



“Up a fifth, down a fifth“:



Thoughts on the Seven flat five diminished



Scale outline on “Cherokee”


Barry Harris Class,Barry Harris Theory,Jazz Improv,Jazz Theory,Piano Tutorial,Piano Lessons,Isaac Raz,Whole Music,Jazz Lessons,

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